Ah, that makes sense, so you're sending a program and sorta-preview from this custom tool to a fuller production studio and it's remote-driven. That makes more sense.
With the studio consisting of our speaker, Peter who wrote the snowmix mixer, me and a few laptops in a backroom in the local planetarium. So a studio is probably overstating it. But hey, that's what you can get with a budget of 0.
Right on, thanks for answering.