To me the magic is in generating things that would have had too much right issues or would not have been economically viable.

A series that is a variant of the stories of “The Wire”, but taking place in the Harry Potter universe? Coming right up.

Obscure prog rock band from the 90s put out one album? Now its two.

I can understand people their apprehension, feeling like art is losing something essential without the human touch behind it, but I saw an article a few days ago where people thought generated Shakespeare was better than actual Shakespeare. Until it was revealed which was generated.

If AI can generate me another, better Illmatic, I’m all here for it.

The conclusion to draw there is that Shakespeare honestly doesn't make for very good reading today unless you are also delving into the historical context or considering the major impact of his works on humanity's culture from the arts to language. LLM generated output has none of that.

'Ah ha! LLMs are better than Shakespeare!' is a meaningless statement.

Besides, no one reads Shakespeare for pleasure; there is no need to generate more. ;)

I bet you could get a random person off the street to fairly-consistently pick (curated) AI works over an amalgamated top-5 of great jazz recordings selected by jazz super-fans.

> Besides, no one reads Shakespeare for pleasure

Exactly (kind of). Lots of rewarding works take effort to learn to appreciate, for a bunch of reasons that may include (as in Shakespeare's case) that they're old and their context and vernacular is not ours. Lots of people (I'd say a large majority, in my experience) dismiss entire genres and forms of art that they weren't heavily exposed to as children, often going so far as to judge them bad, simply because it would take some time and effort to learn how to enjoy them and to be able to discern what's good or remarkable about a given work.

What proportion of the population has ever in their lives enjoyed the experience of reading a Shakespeare play? Even once? It's gotta be tiny. Of course you can get them to choose AI junk over Shakespeare, it's not a kind of thing they understood or enjoyed to begin with, in most cases.

> I know the work I'm doing is valuable and that this field is the future. I'm sure it'll click for more folks soon.

Maybe because not everyone shares your opinion? Having an LLM generate art isn't necessarily a net benefit for society. Computers were supposed to improve our lives but instead of robots to perform dangerous menial work it's taking the creativity out of humanity.

Hey guys you no longer have to do fun things, tech bros have that covered. Now get back down the mine.

There seems to be some people who really hate Generative AI and will call it out and complain wherever they see it.

eg somebody uses it to illustrate an article there will always be somebody who complains.

So anything that enough people see will generate at least one complaint.

The thing is GenAI will be just like CGI. When it is bad it will look bad and has 'that look'. But when it is good enough you will not even know.

The creativity has already gone sideways for most of this. I can with a few simple sentences create an acceptable picture (in some cases a short film). With a AI pipeline I can make some pretty cool scenes. Instead of having to know how to properly draw an s curve with a nice gradient bit of layered colors over it and 14 meticulously created layers. I tell the program to do it for me. It does an acceptable job in a fraction of the time. People can complain all they want but the rest of us are already using these tools and will continue to do so until something better comes along.

Most of the people who seem to be fans of AI-generated art are fans of AI, not of art.

Maybe it'll get to the point where it's good enough to have on as background television - not everything needs to be great, after all - but what's the point of that? We already have far more high-quality television shows and movies than most people can ever watch.

People repeat "generative AI is all evil garbage" because that's what the media (which is very afraid of AI, might I add) has told them.

It's also funny to see AI turn people who normally dislike copyright into die-hard copyright lovers.

So far, it's really bad at actually replacing human labor in pro-social ways while being a supercharger for various antisocial jobs, like scam artist or astroturfer. The main "beneficial" use for it today is replacing wasteful labor that probably didn't need to be done in the first place—which is why an AI version is fine, because it didn't matter to begin with.

My wife and I both work in the field, I on the tech side, her on the creative side, and she's been in it since the earliest days of industry trying to adapt these tools. There's a lot (like, holy shit, so much) of effort and money going into it, but so far it's only marginally helpful for non-evil jobs.

I didn't say that? It is foul and unpleasant to behold, based on my experience of viewing it repeatedly over the last 5+ years.

It would be nice if you didn't assume that anybody who doesn't share your opinion is mindlessly regurgitating slop.

I was speaking in response to most of the general "pervasive negative attitudes" mentioned, not you specifically. Although I'm curious where you viewed generative AI content repeatedly 5 years ago; it was effectively non-existent outside research circles then.

If I recall correctly, that was about the time that Google started demoing its generative AI "deepmind" - a particular demo of a frog comes to mind. The commonality of AI content has certainly increased since then, I didn't mean to imply it was commonplace back then.

People might care for culture. I’m very much in favor of a reformed copyright that strengthens indie artists, conservationists, and remixers and weakens Disney et al.

It’s also a matter of fact that we have the copyright we have that’s prohibitive to people and favors corporations. It’s upsetting to see how a bunch of Silicon Valley companies stomps right across those lines with impunity, while people like Aaron Swartz are persecuted and threatened with decade long prison sentences for crimes that in my mind ought to be much less upsetting.

If copyright was fair, training of AI intended for non-personal use ought to be a sufficient commercial activity to require a license. That would stiffle the development of AI, which is what I’d argue happens to human creators under our current system.

If we had a 25 year copyright, we could easily make useful AI trained on the sum of human creation until 1999, _and_ have badass human made remixes of 80s and 90s songs — we wouldn’t have to do legal gymnastics to allow the development of useful AI, as it’d have access to quite substantial training material from the 1900s, and unlock relatively modern training material year-by-year.

So yes, I dislike AI for infringing on copyright and I dislike copyright (in its current state).