I have been to Ticketmaster events that use reasonably priced, printable tickets, you could even buy a printed ticket with cash. In fact, even though there are so many Ticketmaster events, they are not all working the same way. And Ticketmaster doesn't have the monopoly on shitty practices, the article gives a good example in the beginning.
What I suspect is that Ticketmaster is nothing more than a service provider. The venue/event organizer/... looks at the Ticketmaster catalogue and pick the product they want. There are "evil" products in that catalogue, and they are probably the ones with the best returns, but I am sure people have a choice.
I'd even go as far as calling Ticketmaster "Evil as a Service". So people can say "fuck Ticketmaster" instead of saying "fuck Taylor Swift". I would be very surprised if artists (and their agents) at the level of Taylor Swift didn't have a say regarding ticket sale practices, even with Ticketmaster.
Of course, the monopolistic practices of Ticketmaster are a problem, people are most likely paying more than they should because of it, but all the crap with apps, resale platforms, etc... I am pretty sure the event organizers, maybe the artists themselves are as much to blame.
Often, they do not. The DOJ is currently suing TicketMaster because they have exclusive agreements with nearly all of the large venues and that prevents those venues from using other ticket providers. To be fair to TicketMaster, they argue they are not a monopoly because there are many smaller venues that they are not exclusive with.
But, TicketMaster even requires that artists use TicketMaster's promotional agency if they want access to these large venues.
I wasn't talking about having the choice of using another agency, Ticketmaster is predatory and this is a problem.
I was talking about using Ticketmaster (for the lack of other choice) but using one of the more consumer friendly services Ticketmaster appear to provide. I am sure Ticketmaster won't mind, they get their share anyways.
What I wanted to say is that Ticketmaster may be responsible for your ticket costing $70 and not $60, but for all the other bullshit, they just do what is asked of them (by the artists, venue, event organizers, etc... maybe even the fans themselves). Or at least, that's how I think it is.
You're missing that Ticketmaster (Live Nation) control and own a substantial portion of the venues, the catering, logistics, tour buses, security and so on.
The venue "choosing" the Ticketmaster product is owned by Live Nation.
> Does anyone knows how Ticketmaster works, really?
For the most part, no. I'm actually shocked by how much understanding you are demonstrating in this post. I did not expect to find that on Hacker News.
Tours have some choices, yes. See the Cure tour last year. But no, paper tickets and non-auction prices (for front section) have been phased out quickly.
Some tiny stragglers perhaps. Went to a tiny venue recently but was goldenvoice.
I belive I heard that Ticketmaster let the venue set one of the arbitrary fees and then hide it amongst the rest. So I would agree that the rest of what you said sounds likely.
I have been to Ticketmaster events that use reasonably priced, printable tickets, you could even buy a printed ticket with cash. In fact, even though there are so many Ticketmaster events, they are not all working the same way. And Ticketmaster doesn't have the monopoly on shitty practices, the article gives a good example in the beginning.
What I suspect is that Ticketmaster is nothing more than a service provider. The venue/event organizer/... looks at the Ticketmaster catalogue and pick the product they want. There are "evil" products in that catalogue, and they are probably the ones with the best returns, but I am sure people have a choice.
I'd even go as far as calling Ticketmaster "Evil as a Service". So people can say "fuck Ticketmaster" instead of saying "fuck Taylor Swift". I would be very surprised if artists (and their agents) at the level of Taylor Swift didn't have a say regarding ticket sale practices, even with Ticketmaster.
Of course, the monopolistic practices of Ticketmaster are a problem, people are most likely paying more than they should because of it, but all the crap with apps, resale platforms, etc... I am pretty sure the event organizers, maybe the artists themselves are as much to blame.