You’re not considering the stagehands and artists who have to live under Live Nation’s vertical monopoly. I was chatting with a former tour guy the other day, someone who’s been a tech for major touring bands since the ‘80s, and he mentioned that he had to quit the business because Live Nation had driven wages down below poverty level while bringing in random unskilled labor to do highly-technical stage setups. (He quit after almost losing a hand to a large piece of unsecured stage equipment.) The enshittification of modern life is an inconvenience to most of us, but life and livelihood to many others.